![]() It was not just any day but the day that Il Mondo, the weekly newspaper he worked for and that championed the work of photographers, closed. He decided one day in 1968 to abandon his photography career, locking this part of his identity inside the pile of old boxes that his daughter would find years later. He lives with his wife in the central neighborhood of San Lorenzo in Rome. Stefan Giftthalerĭi Paolo is revered by figures such as the designer Alessandro Michele and the photographer Bruce Weber, who recently premiered a documentary called The treasure of his youth: the photographs of Paolo Di Paolo. The photographer Paolo di Paolo, at his home. Now the holder of a repository that includes around 254,000 unpublished negatives from between 19, she accompanies him during the interview with EL PAÍS. ![]() His daughter, Silvia, accidently exhumed all his work one day while looking for some old skis in the attic. He does, however, drink around a liter of red wine every day. As he settles into his chair, Paolo di Paolo jokes that he no longer bathes in Negroamaro. The second new life came when he decided to disappear from photography after only 16 years, during which he became a legend in the field. No one knows how, but di Paolo was cured and today he is almost a century old. The family doctor’s advice was to regularly bathe the baby in Negroamaro, a wine from southern Italy believed to have restorative qualities. When he was a few months old he was diagnosed with a fatal disease. Collection RestrictionsĪccess to NMAI Archive Center collections is by appointment only, Monday - Friday, 9:30 am - 4:30 pm.As his name occurs twice, so too does 97-year-old Italian photographer Paolo di Paolo believe he received two extra lives. ![]() Numbers written on the verso of these photographic prints were supplied by the donor, (the Dakota County Historical Society), and do not necessarily correspond with the processing or organization of these materials as they are now presented. Although specific communities are not identified, many images appear to portray Northern Plains and Central Plains American Indian peoples. Of the remaining 17 photographic prints in this series, two are dated to 1904, and the others do not have a date. It portrays an unidentified Oglala Lakota (Pine Ridge) man, possibly a reservation policeman, posing with two young girls at Pine Ridge, South Dakota. One image (289_pht_007_001), was developed at the Perkins Studio in St. Likewise, the individuals portrayed in these photographic prints are also unidentified. The photographer(s) of these prints is unknown. ![]() This series contains 18 photographic prints. For more information please see the Smithsonian's Terms of Use and NMAI Archive Center's Digital Image request website. Please submit a written request to For personal or classroom use, users are invited to download, print, photocopy, and distribute the images that are available online without prior written permission, provided that the files are not modified in any way, the Smithsonian Institution copyright notice (where applicable) is included, and the source of the image is identified as the National Museum of the American Indian. Permission to publish materials from the collection must be requested from National Museum of the American Indian Archive Center. Reed photograph collection, NMAI.AC.289 National Museum of the American Indian Archive Center, Smithsonian Institution. Identification of specific item Date (if known) Frank A. ![]()
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